- ARTIST: Blues Traveler
- TITLE: North Hollywood Shootout
- LABEL: Verve
- GENRE: Rock
- BITRATE: 190kbps avg
- PLAYTIME: 0h 42m total
- RELEASE DATE: 2008-08-26
- RIP DATE: 2008-08-06
- Track List
- ----------
- 1. Forever Owed 4:43
- 2. You, Me and Everything 4:21
- 3. Love Does 3:31
- 4. Borrowed Time 3:38
- 5. The Beacons 3:14
- 6. Orange in the Sun 3:53
- 7. What Remains 4:48
- 8. How You Remember It 4:06
- 9. The Queen of Sarajevo 4:00
- 10. Free Willis, Ruminations from 5:51
- Behind Uncle Bob's Machine Shop
- Release Notes:
- It's not every band that's still staking out new musical territory and embracing
- fresh challenges more than 20 years into their career, but that's the case with
- Blues Traveler. Having long ago graduated from the jam-band underground to
- mainstream stardom, the iconoclastic combo has consistently stuck to its guns
- and played by its own rules.
- For their new release (and Verve Forecast debut) North Hollywood Shootout, the
- quintet ventured out of their creative comfort zone to explore some adventurous
- new horizons. The resulting album is a landmark in Blues Traveler's large and
- widely loved body of work, demonstrating the enduring strengths of the band's
- songwriting while capturing the spontaneous spirit of their legendary live
- shows.
- The aforementioned body of work encompasses eight studio albums and four live
- discs, six of them certified Gold or Platinum, with combined worldwide sales of
- more than ten million units. The band's best-known single, "Run-Around," was the
- longest-charting radio single in Billboard history. Along the way, the band has
- played more than 2000 live shows in front of more than three million people.
- "We're still trying to reconcile the different things we do, and cultivate what
- we're individually good at into something that's bigger than the sum of its
- parts," notes frontman and harmonica-slinger John Popper. "When we're all
- playing and it's working, it becomes this separate entity, and that's still the
- thing that we're chasing."
- North Hollywood Shootout -- produced by Grammy-winner David Bianco, whose
- diverse resume includes work with the likes of Tom Petty and the Heartbreakers,
- Ozzy Osbourne, Mick Jagger and Teenage Fanclub -- makes a strong case for Blues
- Traveler's timelessly vital writing and performing abilities. Such memorable
- tunes as the uplifting road-trip anthem "You, Me and Everything," the playfully
- romantic "Love Does" and the elegant, evocative "Orange in the Sun" boast
- infectious melodic hooks while showcasing the interactive instrumental chemistry
- that originally endeared the band to its rabidly devoted fan base.
- The new material also makes a strong case for the introspective side that's
- always been a key element of lyricist Popper's persona. The heart-tugging lyrics
- of the opening track "Forever Owed" were inspired by the singer's recent USO
- trip to Afghanistan and Iraq, while the poignant "Borrowed Time" is a
- bittersweet meditation on mortality and transience, inspired both by the recent
- passing of bandmates Chan and Tad Kinchla's father, and by Popper's feelings for
- his beloved and aging dog. The album's biggest sonic curveball is its closing
- track, "Free Willis, Ruminations from Behind Uncle Bob's Machine Shop." The
- six-minute spoken-word sound collage finds the band jamming over an insistent
- drumbeat, while actor Bruce Willis, a longtime fan and friend, delivers a
- colorful freeform monologue/rant.
- "Free Willis" is a particularly aggressive embodiment of the creative risks that
- the ever-restless quintet took in writing and recording North Hollywood
- Shootout. Rather than fall back on established routines, the musicians
- challenged themselves by adopting some new working methods.
- As guitarist Chan Kinchla explains, "On the last few records, we concentrated so
- much on the craft of the songwriting and arrangements that we started losing
- some of the live spontaneity that the five of us created on stage. So on this
- album, instead of doing the usual pre-production process, where we really worked
- out the songs before taking them into the studio, we decided to go straight into
- the studio and do the songwriting there. We recorded all the parts as we were
- working them out, and then build the songs from there. We'd find a cool little
- pocket and jam on it, or there'd be a drumbeat or a guitar part that was really
- happening, and we'd take the best part of that and use it as the foundation of
- the song."
- "That was a completely new way of working for us," Kinchla asserts, "but it
